Computing Music

Papers

Musical Meta-Creation: the discourse of process
Proceedings of the International Workshop on Musical Metacreation, Boston 2013. AAAI Press.

Jack 1: Pattern and Shape in Music Generation
Proceedings of the International Workshop on Musical Metacreation, Boston 2013. AAAI Press.

Key Induction and Key Mapping Using Pitch-Class Set Assertions
Proceedings of the International Conference on Mathematics and Computation in Music (Springer), Montreal, 2013.

Automatic Orchestration for Automatic Composition
Proceedings of the International Workshop on Musical Metacreation, 43-48, Palo Alto, CA, 2012. AAAI Press.

Music Listening as Information Processing.
Proceedings of the 9th International Symposium on Computer Music Modeling and Retrieval, 371-378, London, 2012.

Simulating the Listening of Composing.
Proceedings of the Music, Mind and Invention Symposium, Ewing, NJ, 2012.

Automatic performance analysis of virtuosic music for string instruments Proceedings of the International Symposium on Performance Science, Toronto, 2011.

Z-chains, or a New Technique for Melodic Analysis

Talks and Posters

COGNITIO Creative Minds: Cognitive Sources of Art and Discovery, July 2013.
"Reflexivity, autonomy, and generality: evaluating computational music creativity"

International Conference on Mathematics and Computation in Music, June 2013.
"Key Induction and Key Mapping Using Pitch-Class Set Assertions"

Centre for Interdisciplinary Research in Music and Media Tech. Student Symposium, May 2013.
"Computational Analysis of Musical Structure: Polyphony and Texture"

CUNY Graduate Students in Music Conference. April 2013.
Ontologies for Algorithmic Music and Musical AI." (+slides)

International Workshop on Musical Metacreation at AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment, Oct. 2012.
"Automatic Orchestration for Automatic Composition"

Centre for Interdisciplinary Research in Music and Media Tech. Student Award Workshop, Sept. 2012.
"Reasoning about the listening of composing: Computational analysis of musical structure"

Centre for Interdisciplinary Research in Music and Media Tech. Student Symposium, May 2012.
"How to be an AI composer"

Music, Mind and Invention Symposium, April 2012.
"Simulating the Listening of Composing"

Conference for the Society of Music Perception and Cognition, August 2011.
"The dynamic implications of simple and recursive patterns in music"

Conference for the Society of Music Perception and Cognition, August 2011.
What Musical Distinctiveness Says about the Organization of Compositional Memory ( + abstract)

International Symposium for Performance Science, August 2011.
"Automated performance analysis of virtuosic music for string instruments"

Centre for Interdisciplinary Research in Music and Media Tech. Student Symposium, May 2011.
"A computational theory of melodic structure and implications for listener expectation"

Xenakis: Arts/Science Conference, Montreal 2010.
The Xenakian Outside-Time as Motion Perception (+ abstract)

  • Home
  • Jack 1
  • Analysis online
  • Articulation
  • Orchestration
  • String Fingering
  • Research
  • People
  • Blog
  • Contact